Nary a hipster conversation on the world of 21st century cinema goes by without mention of Shane Carruth’s chart-inducing indie film Primer. Carruth’s second film, Upstream Color, weaves a more subtly mind-bending narrative. Kevin and Brian having recently watched it prompted us to dive into the movie’s multi-layered thematic storytelling and explore some related (and not-so-related) tangents. Have a listen!
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Show Notes
This Week’s Post-Show Song
“Nobody Likes Me” by The Rockin’ Worms (Spotify)
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Abita, Acquire, beer, Brian Eno, Brian Morgan, Bubble, Clue, Director’s Cut, evil, Fiasco, Fund Anything, Her, identity, improv, Inception, Inside Llewyn Davis, intelligence, Jack Black, Kevin, Kevin Smith, Margot at the Wedding, Mark Hamill, Martin Scorsese, mind control, Monopoly, Naked in a Fish Bowl, Penn and Teller, pigs, Primer, PTSD, RadioLab, rape, Red State, Rocky Horror Picture Show, Rubber, Session, sexual assault, Shane Carruth, sitcom, Sonic, Soylent Green, Speed Racer, Stephen Wolfram, Steven Soderbergh, Terrence Malick, The Matrix, The Wachowskis, Tusk, TV, Upstream Color, Walden