We Bad Philosophers have a particular affinity for a certain sitcom called Community. This highly experimental, genre-busting adventure was recently put on hiatus by NBC, much to the chagrin of the fan base. So, as we always do in anticipation of great shows going the way of the Dodo, we decided to convene and discuss what we love about this show and where it fits in the context of modern television. Kevin joined me to offer his more in-tune perspective on the industry and blow my mind in a couple of unexpected ways. Do you know where your pen is? It’s BF time!
Audio:
Podcast: Play in new window | Download
This Week’s Post-Show Song Pimpage:
“Community Spanish Rap HD” via YouTube
Questions Answered in This Week’s Formsqueeze:
Sunrise or Sunset?
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30 Rock, ABC, American Family, American Idol, Andre the Giant, Arrested Development, Austin Powers, beer, Bosom Buddies, broadcasting, Buffy the Vampire Slayer, CBS, Community, corporations, Dollhouse, Eddy Izzard, FOX, Freaks and Geeks, house of cards, How I Met Your Mother, James Spader, Kev Hamm, Kevin, Kevin Sorbo, Kevin Spacey, Martin Scorsese, Michael Williams, NBC, Neil Stephenson, Neilsen Ratings, Netflix, Parks and Rec, Party Down, Pretty in Pink, Pulp Fiction, Ron Howard, Shiner, Shutter Island, Slashfilm, Snow Crash, Stephen, structural dramaturgy, The Office, The Simpsons, The Voice, The Wire, Til Death, Tom Hanks, TV, Veronica Mars, Wallace Shawn, Whitney, Will Smith, work, Work It
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